Hi all,
Good point, Lydia. I wish I'd thought of that!

I laugh but the economic troubles down there are really no laughing matter--wherever one happens to be in the world.
On to this week's excerpt.
October 6th 2008
Girlfriend: Men, Women, and Drag
H. Brubach, M.J. O'Brien. Random House; New York, NY; 1999. pp. 148-149
As for drag's capacity to unsettle the viewer, it could be argued that the more complete the transformation in a man's case, the less threatening it is. The man who closely approximates a woman challenges our thinking only when we finally realize that she is a man, and even then the chances are that we will find her not offensive or off-putting but disarming. By demonstrating that a man can "become" a woman, he confirms the message our culture sends via advertisements, magazines, movies: that femininity is predicated on artifice and therefore can be acquired. Being a woman--or being the kind of woman considered attractive and desirable--requires an effort. (RuPaul, the New York drag queen, made a brief, unsuccessful bid for pop stardom with a song called "You'd Better Work.") It's the drag queen who attempts and fails (or refuses) to conceal her identity as a man who is far more likely to make us uncomfortable, by confronting us with an image of compromised masculinity.
When it comes to women in drag, however, the situation is reversed: it's the partial transformation--the "butch" woman--that's easier to take in stride, while the woman who seems completely plausible as a man calls into question our standards of masculinity. Unlike femininity, which relies on makeup, on clothes that contort and exaggerate the shape of the body, masculinity has been construed as "natural," inimitable, indomitable--strictly the province of men. If a woman can convincingly simulate a man, then there must be something wrong with masculinity: it has failed to hold its ground; it has been proven impotent in the face of a woman's raid on its demeanor and appearance. While a man in drag may in fact uphold the ideology of femininity, a woman in drag is liable to undermine the ideology of masculinity.
(...)
The changes in women's lives that have come about over the course of the twentieth century have pretty much rendered obsolete the old incentives to dress in drag. In America, in Europe, in many other parts of the world, women can get an education and a job; they can travel alone, without the armor that a man's suit once provided; they can go to war or go to sea. For that matter, the impact of a woman dressed in drag now is nowhere near what it once was, in the days when pants and short hair were taboo. From where men stand, femininity--with all its accoutrements--is still a long way off, at a safe distance and then some, with a great divide separating them and it. But masculinity, or, at any rate, the access to its trappings, is for most women within hailing distance; women are already halfway there.
In our time the sight of a woman wearing a mustache and a man's suit is not as resonant as the sight of a man in a dress; if women in drag are somehow lacking in the zeal that animates their male counterparts, perhaps it's for lack of a mission. When they dress as Marilyn Monroe or Brigitte Bardot, drag queens take it upon themselves to perpetuate certain female types, many of which--among women, at least--have died a natural death. Seen in the aftermath of the feminist revolt, male drag can be interpreted as an act of mourning for a variety of womankind soon to be extinct. Women, however, appear to have no such nostalgia for the time-honored male stereotypes: the Cowboy, say, or the Army General or the Football Hero. Many, if not most, women, in fact, would just as soon see these monolithic roles abolished, to make way for a new masculinity, one that is subtler and more nuanced.
Yes, and I think that's part of the problem, this desire "many, if not most, women" have for a "subtler and more nuanced" masculinity; they will tell us this is what they'd like without telling us what form(s) such a masculinity is apt to take. We (men) are left with the task of "birthing" a new masculinity in a rather hodge-podge and hit-or-miss fashion; is it this? is it that? is it some other thing pending women's approval? Am I still too rugged? too stoic? or, conversely, too "feminine"? Or how about this? No? Okay, what about this? Damn! This is hard!
Men are searching for new masculinities, true. But not all men are. While it may be true that some men--certainly the gender-variant ones, as Brubach suggests--are nostalgic for "a variety of womankind soon to be extinct," it appears to me to be as true, if not more so, that most men are also nostalgic for a variety of "man-kind" (i.e., of masculinity) soon to be extinct. Well, most men I know, at any rate. Maybe this "surge" of male-to-female crossdressing we've been seeing in our culture over the past generation is but one type of attempt to accommodate women's desire to see the flourishing of a new masculinity--one that is caring, sensitive, compassionate, emotionally grounded, without sacrificing what is ineluctably masculine about males (i.e., their bodies, all "artifice" aside). Who knows? I just work here.
While it may also be true that women are "halfway there" when it comes to more relaxed standards of femininity, I think that, largely due to the work and courage of people such as the members on this board, men might not have as far to go as Ms. Brubach thinks in order to achieve the same kind of supple gender boundaries she believes are within hailing distance of most women. At least, this is devoutly to be wished for.
Now, let me shut the hell up!
Love,
CJ